How to Find a Book Using Online Bookstores
photo credit: ~Brenda-Starr~Looking for improving your gaming skills by reading some of the best books on professional gaming that are around? That is a good idea, but, and as you may have already noticed, it is easier said than done. Once you go online to one of the many online bookstores such as Amazon and Barnes and Ruble and can type in a phrase you get a long list (if you are lucky) of potential books.
What do you do then? How do you know which book suits you? And if you even could figure that out, how do you know the book is worth anything? Many of the authors are pros, but, then, you can also easily land up on amateur writers who are just trying to make a buck. Exactly for this, we have compiled a list of five practical suggestions to help you.
1) Reviews and Opinions Matter.
One of the most interesting methods of screening authors and books is by reading what other readers have to say about those literary objects. Look up one of the many forums online that focus on books and either ask a direct question or read what others have said. Another option is to look up the book at different online bookstores such as Barnes and Noble and Amazon but also others such as The Literary Guild and Pickabook. (Look them at this list compiled by the world wide web Virtual Library: http://archive.museophile.org/bookstores) The reasons for doing this is that for every book you can read reviews from different sites. Do this and you are reducing the chances of reading only promotional material. It goes without saying that opt for those books that receive good reviews. Generally, a book will receive some bad reviews, but look at the majority viewpoint. Note that if the book you wish to buy is new, you will not find reviews. In such a case, you will just have to take a risk.
2) Be Specific.
One of the methods of searching for a book that interests you is by narrowing down the search by typing a long search term and not just one name. For instance, type down how to play Texas holdem in an online tournament instead of just Texas holdem. Such a search will result in only a few book options. First, look up reviews and views on it and then look at its size and focus of interest.
3) Check the Experience of the Author.
Buying a book is just like buying a car. Would you be willing to pay more for a Mercedes? Likewise, check the author or editor. If the author is unknown, tread very carefully. The book might be useless. But remember that its not enough that the author is well known or has years of professional expertise, they must be experienced in the exact field of the subject of the book.
4) Check the Printing History of the Author.
After checking the authors personal biography and his scope of knowledge as pertains to the issue in question, you should, then, check his style of writing. You will not want to fall asleep on the second page, do you? If their style of writing pleases you, try reading parts of their work. Read articles or portions of other books they have read. Do this to get an idea of whether they can write and whether they are capable of handling complicated issues and putting them across in easy to understand language.
5) The Price Factor.
When looking at books, the first thing (or the second) we tend to look at is the price. Yes, you should know whether you can afford to buy it or not, but do not make you decision based on whether a book is cheap or expensive. First, check whether the book is what you are looking for. Then, decided whether you can afford it and not vice versa. Likewise, do not just buy a book because its on sale. Remember that if a book is on sale it means that no one is buying it!
Audio Books - 5 Unheard of Uses
Five Reasons to Listen to Audio Books You May Never Have Thought Of
The typical hardcover or paperback book is not going anywhere. The format shows no signs of ever dying off, even after considering the many technological advances made in recent years. It would, however, be foolish to deny the obvious and not so obvious benefits of listening to audio books. Here are some ways audio books could be put to use:
1. Do you like reading poetry? Then experience it in the way it was meant to be experienced: with your ears! Back in the good old days, it was not uncommon for poets to recite their works before a swooning audience. The great Irish poet and playwright, W.B. Yeats, was said to have written poetry in such a manner that, when vocalized, it would have a certain effect on the ears of its hearers. If you like the writings of T.S. Eliot, there is actually available a recording, on compact disc, of Mr. Eliot himself reading his own poetry. It’s obviously a fascinating investment for fans of Eliot. It’s only one in a series called The Voice of the Poet.
2. Fight road rage while listening to audio books—seriously. Statistics show that violent crime resulting from what is commonly known as “road rage” has increased tremendously over the past couple of years. If you happen to be one of those individuals with a bit of a mean-streak when behind the wheel, then don’t take to the boulevard without Waitley’s Optimal Stress Reduction in your passenger seat—or simply check out a few of the innumerable audio book titles available from an audio book rental club or in your local book store in the self-help section
3. Revisit the “Golden Age of Radio”. It is now possible to find a vast array of classic radio dramas on compact disc. Fans of The Shadow radio program have known this, and are undoubtedly pleased. Also, if you happen to like The Twilight Zone television series, then try to get your hands on a copy of The Twilight Zone Radio Dramas—Lou Diamond Phillips and Adam West are among the talent contributing to these programs.
4. Struggling in child-rearing? Audio books just might be part of the solution. Harry Potter and the Order of the Phoenix is a hit with the kids (just as every other Harry Potter book has been); and an obvious choice might be an audio book from the Lord of the Rings series—these classic Tolkien works are available in abridged and unabridged editions.
5. Learn another language… in your sleep. When you fall asleep your brain doesn’t just turn off. On the contrary, research has shown that the sleeping brain does receive, process and perhaps even store information. So why not use your good nights sleep effectively by listening to one of the many foreign language audio books. And while this technique may not be the only means of mastering a second or third language, it will make things a little bit easier.
If these uses don’t seem practical to you, they might put you in the mindset to think of your own ways to utilize audio books. And although some may say that listening to audio books is no substitute for reading, the growing popularity of audio book rental services such as Jiggerbug.com may eradicate paper books completely or at least come close!
Comic Books: Our Own Worst Enemy?
Like most comic publishers I spend quite a bit of time thinking about the state of the industry and how to make it better – well, truthfully, how to make my little corner of it better. After spending a lot of time thinking it over and discussing what everyone perceives to be the main elements leading to the downfall of comics (the distributor monopoly, for example), I realized what the biggest problem and killer really is: the industry.
I believe most of the problems that we encounter “in the industry” come from the industry itself. First off, comic companies tend to publish only for those who are already in the industry. Comic publishers usually target their marketing towards those who are already here and creators tend to create product only for those who are already well-versed in industry. Very rarely does the thought of bringing new readers in really ever pop up, which is insane. That would be like Hollywood only creating films for those who work in film and television. As wacky as it sounds, this seems to be the mentality of the industry at large.
Magazines like Cosmopolitan are fashion magazines, but their audience is the average woman (or girl) interested in fashion and not members of the industry itself. Their advertising stretches beyond fashion industry trade publications and into the mainstream itself, where its buyers reside. Why short sell your books only to the 50,000 or so members of the active comic community and not go for millions of people out there who enjoy action movies?
Comic publishers aren’t the only ones to blame, either. Creators themselves are as big a deterrent to new readership as anything else. If you want to know why, take a look at a modern comic versus one from as late as even the mid eighties and you’ll see one very big difference. No, I’m not talking about paper or printing processes. The art itself is the main problem with comics. Solid, clear storytelling has become a thing of the past. A new buyer will find most modern comics unreadable because the solid storytelling of days past (along with gutters – remember, full page bleeds on every page get confusing) is gone.
Do you know why a lot of new readers are picking up Manga titles? It’s because they are easier to read than US ones. Even with the flipped format, most Manga has straight forward enough storytelling that even the most uninitiated reader can follow what is going on and which panel comes next. This can’t be said about most US titles (indy or mainstream). The fact that the current trend in the US is for over rendered, poorly thought out computer coloring, doesn’t help readability at all.
Comics and comic art have become so inbred the only ones who can stomach them are their sister-mothers. But it doesn’t have to be that way.
The general public will read comics if you can get yourself out of the industry mindset and start creating comics for readers instead of for an industry more interested in John Byrne’s latest social blunder than in buying your books.
Some places to consider for your books (depending on its target audience) are non-chain book stores, new age shops, record stores (Tower is starting to have a great selection of indy and small press ‘zines), libraries, corner markets, magazines with a similar areas of interest, schools, local area mailer compilations (such as the little coupon books you get in the mail), area events (concerts are a great spot), swap meets, arcades or game stores. There is an endless list of places that might be willing to carry your work if you let them know it’s out there. You might have to spend some money to advertise. Get used to it. The old adage, “you have to spend money to make money,” is true for any business.
Here are some tips for making your books more accessible to general audiences:
1) Market your books outside of comic-specific areas. Figure out who might be interested in your book and pursue those outlets. There are tons of places out in the world that would be willing to sell your comic…but they have to know it exists first. I’ve had success at art festivals, flea markets, record stores, sci fi magazines and more. Get as creative with your marketing and sales as you do with actually producing your book. It’s worth the extra effort.
2) Get rid of full page bleeds on every page. Don’t be afraid of negative space around your pages. It will actually open up your pages and keep them from looking cramped.
3) Don’t forget the gutters! Overlap panels are interesting from time to time, but gutters help to keep the art readable and from blending together. They’re also great for pacing in your storytelling.
4) If you’re going to color your books, don’t go for the over-rendered look that most comics use. It’s muddy and unclear. Look at animation or places like Disney Adventures for reference on coloring. Most “cartoony” books are well colored because they want to make sure the work is readily accessible to readers of all ages. Not every panel needs to be a fully digitally painted work of "art."
5) Think of storytelling. The most important thing in a comic is that you do not lose your audience. If at any point your readers get confused as to where to read next, then you’ve failed at your job as a storyteller. And, remember, “style” is no excuse for poor storytelling (or poor artwork in general, but that’s a rant for another time)
6) Don’t have large blocks of text or dialogue in each panel. There’s an old unwritten rule in mainstream comics (and one that has been largely forgotten or ignored): never have more than 26 words in any balloon or caption box. Anything more than that and the words will run together, potentially causing readers to skip over sections of what is on the page.
7) This one is going to cause any comic collector to cringe: get rid of issue numbers. Or, if you just have to have them, place them in the indicia only. Issue numbers are one of the big obstacles for new readers, especially in periodical product like comic books. A reader needs to be able to come in on any issue and not have to worry about having to read 10 back issues to know what’s going on. Sure you can let them know there are other stories they can read (and, which will be available in trade paperback), but don’t make those stories required reading. Follow Cosmo’s lead (or Playboy’s) and just have the month and year on each cover. Comics should be entertainment first and foremost. Get out of the collectible mindset.
Forget the mantra, “comics aren’t just for kids anymore.” It’s old, played out and is part of the death sentence of the industry. Creators have spent so much time trying to prove that comics can be for adults that they’ve forgotten to build the next generation of fans by only making comics for older fans who are already in comics. Without young readers there is no future in the industry. As a second part of this thought, just because your comic has adult language, nudity and graphic violence doesn’t automatically make the book for adults. Vertigo and “Ultimate” writers take note.
9) Be prepared to get your hands dirty and do some work. Publishing is a business and, at first, you may find yourself putting in as much time marketing as you do creating. That’s not a bad thing.
My heresy will end with this statement: the only way to save comics may be to let the comic industry, as it exists right now, shrivel up and die. It’s on the road as it is, with everyone racing to tear whatever pieces they can get from its still (barely) living corpse. The industry isn’t the heart of comics and didn’t make them, so dare to be different. Put down the latest issue of the comic industry death watch, Wizard. Ignore the party line that an indy book will sell less than 250 copies – there is a world outside of the Geppi chokehold.
A bit of inspiration for you: Nifty's main title, the Cadre, sells over 5000 copies per issue and 90% of that is outside of the comic industry. Not bad for a black and white, mainstream style super hero comic.
The world is a big, beautiful place full of potential new readers. You just have to venture out and find them.